Maria Walsh compares the position of the self taught artist to that of the religious artist (via joninbetween.blogspot.com) :
"In the great age of faith, religious themes provided a ready made and universal image-repertoire for artists to draw on. To be a religious artist at the beginning of the twenty-first century, at a time when the universal values of faith are being challenged, is to embark on a personal spiritual quest. Images produced as a result of this exploration will undoubtedly resonate with the religious beliefs of others, but, unlike the universalism of a classical artist like Raphael, the vision of the contemporary religious artist also runs the risk of being a lone cry in the desert. This conflicting position is a little like the one occupied by the self-taught artist in relation to the contemporary art world establishment. On the one hand, because of the seeming naivete of his formal skills, the self-taught artist is marginalized, but, on the other hand, he is valued for the very things which make him different from the mainstream, i.e. the simplicity and sponteneity with which he communicates his internal world."
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